day 16

Is there anything as soft as the gray on the neck of a loon?
I am tempted to spell it ‘grey,’ since that is removed, reminiscent of old England, more complex than gray. But I am not fond of deliberate attempts at appearing continental when one is, in fact, not. It is tough to come up with an adequate description for the mixes of color and texture to be seen on a loon neck: grey may be too romantic and pompous, but velvety (which sadly also immediately springs to mind) is worse. It sounds crass and cheap. I am at a loss.
There was a Red-throated Loon (our grayest-necked, with a shocking rusty-red patch on its throat) in full breeding plumage in the waters off of Plum Island yesterday. This was not the best bird of the day for rarity, but it was a little unusual, and very nice for the visually inclined. The bird was sitting calmly, in close to shore. I have only seen these loons in their summer breeding (definitive alternate) plumage once, while in Alaska during the end of one May, and then I was wholeheartedly distracted in looking for Bluethroats and stints of various sorts. The Red-throated Loon is a winter bird to New England, and it usually floats around in its drab basic plumage here – also gray, but not the same. The winter feathering has the speckled colors of rocks and freezing seas, but this was lustrous, profound, in the sense of having significant depth.
Birds of North America Online describes parts of the head and neck as “medium light gray or variable (bluish, ash, pearl, glossy dark, dove), occasionally darker dusky gray on lores and around eyes.” The writings of ornithologists may be a little dry, but there is something in this that is clearer than trying to get at it with florid language. citation
I suppose it is fairly obvious that I am an admirer of the subtleties of grays, but I kid you not, I only just now linked up my fascination of this bird’s neck with my drawing habits. Cause I was just sitting down to post this beginning of a drawing. It is pen on gray paper, 7.75 x 10.5.”
